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22 - 25 MayIstituto Italiano di Cultura di Budapest

What is the Commedia dell'Arte?

Commedia dell’Arte is a theatrical genre born in the sixteenth century in Italy and quickly spread throughout Europe, performing on the streets, in the courts and in the theatres, it became very popular all over Europe, including France, Spain, Germany, Austria, Netherlands, Slovakia, Romania and Russia.

The masks (half-mask leaving mouth and lower part of the face uncovered) create universal characters that represent specific human characteristics, such as the old and miserable Pantalone, the smart servant Harlequin / Arlecchino, the silly servant Zanni, the mischievous servant Colombina, the pompous Doctor , the bold Captain, the young lovers. On the stage, we see fixed types: immediately recognizable figures, embodying basic feelings, human vices and defects. Through these characters, timeless situations are born, based on love, hatred, power, money, betrayal, deception and revelations. 
A universe of characters and situations, that are alive in our world today, more than ever.
The main characteristic of Commedia dell'Arte is its universality: a very clear physical code and the use of various languages together with the non-language gibberish "grammelot": Commedia dell'Arte is a theatrical genre easily accessible, and at the same time universal, embracing diversity and overcoming barriers. This is one of the reasons for the recent strong interest to recognize Commedia dell'Arte as Unesco Intangible Cultural Heritage.

The workshop and group performance

The 4-days workshop will be an open opportunity to experience and recreate our European cultural heritage. The work will be based on the discovery of the world of Commedia dell'Arte and specifically the study of the masks and the characters, aiming to bring out the universality of this theatrical language. 
The traditional Italian Commedia dell’Arte masks and characters will be explored and we will also explore masks from various European traditions.
We will investigate the use of the traditional masks and specifically the mask as an "extra-ordinary" element, as a union between the immanent and the transcendent in Commedia dell'Arte, and in the European folk traditions that set its grounds, such as Harlequin as a devilish figure, including his mask with broken horn. We will explore the relations between masked characters (transcendent element) and unmasked (humans).
The participants will have a possibility to experience a self-discovery work that will will shed light and help develop the specific characteristics of each one, such us language, nationality, culture.
The strength of the Commedia dell'Arte lies precisely in utilizing and enriching the individual specificities and experiences of each person/actor.
As a conclusion of the 4-days workshop, the group will perform publicly: the resulting Commedia dell’Arte play will include scenes created by the participants with the elements explored during the days of the workshop.
In the phase of creation of the group we will pay specific attention to create a diverse and balanced group in terms of experience and national background.

The work

Starting with a specific training, participants will deepen the study of the mask, through a practical and experiential work. The study of the individual characters (fixed types) will enrich the participants' imagery, allowing them to create their own character/mask. Eventually the mask will become an integral part of the actor's body and each participant will come to deal with the eternal paradox of the use of the mask: "Becoming credible with the most fake object".
We will play with improvisation. The encounters of characters will allow us to discover the nature of the "canovaccio" - plot, a clockwork mechanism that is created on stage. We will work on small scenes that will be publicly performed at the end of the workshop.
We will enter the wonderful universe that is the code of Commedia dell'Arte and participants will be able to dive in a complete work on themselves, a "total work of actor", valuing their specific characteristics, and including any artistic element, such as mime, acrobatics, juggling, dance, singing, use of musical instruments...

The program

- Historical introduction on Commedia dell'Arte
- European theatrical masks
- Physical training (specific for Commedia dell’Arte)
- Study and practice on expressive techniques of the Mask
- Attitudes of the fixed types (the characters)
- Improvisation (free and structured)
- Principles of Dramaturgy (work on the "canovaccio")
- Study of the scenic space ("palco di commedia")
- creating one's own character
- Expressive techniques of Commedia dell'Arte
- Preparation of short scenes for final performance

The workshop is organized in collaboration with the Italian Cultural Institute of Budapest and EUNIC Hungary  in the context of "Heritage Connects" month in Hungary.

The training language will be a physical, simple and easy-to-understand English, with Hungarian translation, if needed.

The workshop will be open to anyone and no previous theatre experience will be required

Participation Fee

The participation fee is 15.000 HUF

- Early bird fee - until 8th May : 12.000 HUF

Plus-one fee  (if you bring someone with you) : 10.000 HUF

Members of the "Istituto Italiano di Cultura di Budapest"  AND persons affiliated to the Institutes and Institutions of EUNIC Hungary : 5.000 HUF

For everyone, there is a registration fee of 5.000 HUF to be paid upfront in order to reserve your place, via bank transfer or PayPal. Once you register you will receive an e-mail containing the details for this payment. This fee is non-refundable.

The rest of the fee will be paid on spot.


The Commedia dell'Arte workshop will take place in the historical building of the Italian Cultural Institute of Budapestlocated in Bródy Sándor utca 8, Budapest, 1088. 


The Commedia dell'Arte workshop consists of 22 working hours, in the days:

Tuesday 22nd - Friday 25th May 2018: 
14.00 - 19.30

At the end of the workshop of Friday 25th we will perform to the public, in the building of the Italian Cultural Institute of Budapestlocated in Bródy Sándor utca 8, Budapest, 1088. 

The training language will be a physical, simple and easy-to-understand English. Hungarian translation is available, please let us know in advance.

Contacts & Additional information

For additional information visit our website: .

For any doubts or question, don't hesitate to contact us:

Francesco Argenio Benaroio

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Giacomo Segulia

Giacomo Segulia graduated from the Civic Academy of Dramatic Art "Nico Pepe" in Udine, Italy. He deepens his studies in Commedia dell'Arte attending in 2013 the International Commedia dell'Arte Stage, directed by Carlo Boso. Among his professional experiences: in 2014 Machiavelli's "Mandragola" at the Avignon Off Festival 2014 directed, by G. Bonanni and C. de Maglio. In 2017 he attends the high specialization course L'Attore per l'Arte in Venice. In 2016 he founded with other colleagues the company I Comici del Savio, with which he continues the research on the Commedia dell'Arte. In 2015 he works in "Blood Wedding", by Garcia Lorca, directed in Padua by Marco Sgrosso. In 2016 he debuted in the original Commedia dell'Arte play "La Brescia liberata" (I Comici del Savio Company). In the summer of 2016 he plays in two new productions: "Egon and Jim" of R. Crivelli (Stable Theatre of Trieste La Contrada) and Commedia dell'Arte play "Venezia Venezia" (Cantieri invisibili - Verona, directed by M. Spiazzi, dramaturgy by R. Pippa). In November 2016 he debuted in the performance "The Song and the Sling", on the figure of David Maria Turoldo, directed by Massimo Somaglino (production Css Stabile Theater of Innovation of the Fvg). Since 2015 he has been involved in the Itinerant Theatrical Pedagogy project, a specialization course for professional actors, by Giuliano Bonanni on the Stanislavski Method. He follows up by attending a masterclass by A. Vasiliev on Chekhov's "The Seagull". In 2017 he attended in Venice the high specializion Art Degree "The Actor for Arts", created by the Veneta Theatre Academy, Cini Foundation and Ca' Foscari University. In 2015 he debuts with the original canvas of Commedia dell'Arte "Il Natural Segreto" (Comics of Savio Company). As an actor Giacomo worked alongside important directors such as Giorgio Pressburger, Carlo Boso, Marco Sgrosso, Claudio de Maglio, Giuliano Bonanni, Matteo Spiazzi, Massimo Somaglino and Davide Gasparro. In 2017 and 2018 he has facilitated successful Commedia dell’Arte workshops in Budapest organized by ANAMUH in collaboration with the Italian Cultural Institute of Budapest.

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Organized by

ANAMUH - Arts for Dialogue

ANAMUH is a not-for-profit social initiative aimed at establishing and sustaining a space for communitarian dialogue through the use of Theatre and Arts.

We are a group of enthusiast socially-committed artists and theatre practitioners: we believe that Theatre and Arts can make a sustainable positive change within people, in communities, in society.
We believe in Social Theatre and the enormous potential for positive social transformation that it offers, to foster inter-communitarian dialogue, to challenge stereotypes/discrimination, to build bridges among individuals and cultures.
We periodically organize and facilitate various training courses and workshops on various arts and disciplines, open to anyone willing to explore, transform, find inspiration and connection.
ANAMUH envisions a world where diverse communities know, respect and include each other, and where they grow together creating new ideas, tastes and forms of art on the basis of their own identities and cultures.